Hello.In this issue, you are invited on a journey that takes place in New York City and Ankara. You will read a story that hits its own perimeters and fills a long, dark path with the light of following its passion. I have so much to say. Happily, I have not finished writing yet. So, hop on.<img src="https://images.aposto.com/2022/11/3/1670406224062.jpeg" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="0.67" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable">Ebru Yıldız's self-portrait<h2 fr-original-style="" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;">What's in this issue?</h2>📷 Music in a frame:&nbsp;In timelessness, in black and white: Ebru Yıldız😇 Dreamland: Alone with Tom Waits, David Bowie's Heroes album👀 Recommendations:&nbsp; Anton Corbijn photographs, PJ Harvey &amp; Maria Mochnacz collaboration📸 One frame, one story: Turkey project, Erkin Koray in the frame.To those who hit their own perimeter,Taner

Aposto’s publication of arts and culture. New guests, interviews, podcasts, and explorations from the universe of music and film.