<h2 fr-original-style="" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;"><img src="https://images.aposto.com/2022/11/5/1669981163492.jpeg" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="1.58" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable"></h2><h4 fr-original-style="text-align: center;" style="text-align: center; margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;"><span data-reactroot="" data-token-index="0" fr-original-style="" style="box-sizing: border-box;"><em fr-original-style="" style="box-sizing: border-box;">Marianne Werefkin, The Return, 1909</em></span></h4><hr fr-original-style="" style="height: 0px; overflow: visible; border-bottom: none; clear: both; user-select: none; break-after: page; box-sizing: border-box;"><h2 fr-original-style="" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;"><strong fr-original-style="" style="font-weight: 700; box-sizing: border-box;">Making Modernism</strong></h2><p fr-original-style="" style="margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;"><strong fr-original-style="" style="font-weight: 700; box-sizing: border-box;">What it is?</strong> <em fr-original-style="" style="box-sizing: border-box;">Exhibition.</em> <a fr-original-style="" href="https://www.royalacademy.org.uk/exhibition/making-modernism" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">Making Modernism</a> takes women working in Germany in the early 1900s in its center: Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.</p><p fr-original-style="" style="margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;"><strong fr-original-style="" style="font-weight: 700; box-sizing: border-box;">Where?</strong> Royal Academy of Arts</p><p fr-original-style="" style="margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;"><strong fr-original-style="" style="font-weight: 700; box-sizing: border-box;">When?</strong> Until 12 February 2023</p><p fr-original-style="" style="margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;"><strong fr-original-style="" style="font-weight: 700; box-sizing: border-box;">Why should you go?</strong> To meet Gabriele Günter, a founder member of the Blue Rider, the art group at the heart of German Expressionism or Paula Modersohn-Becker who in the 1880s, studied with the renowned Russian artist Ilya Repin, who compared her to Rembrandt.</p><p fr-original-style="" style="margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;"><strong fr-original-style="" style="font-weight: 700; box-sizing: border-box;">Duly noted:</strong> This is the last week to catch William Kentridge, South Africa’s most celebrated living artist at the Royal Academy of Arts.</p>

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