<img src="https://images.aposto.com/2022/6/5/1657287943632.jpeg" style="display: block; float: none; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" ratio="1.79" width="550" fr-original-style="display: block; float: none; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable">The Devil, Probably (1977), Source:&nbsp;<a fr-original-style="" href="https://mubi.com/" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">mubi.com</a><div align="center" fr-original-style="" style="box-sizing: border-box;"><hr size="0" width="100%" align="center" fr-original-style="" style="height: 0px; overflow: visible; border-bottom: none; clear: both; user-select: none; break-after: page; box-sizing: border-box;"></div>A movie, a director, a work of art, an artist, a street, or a place... We fill our Lunchbox with “things” that inspire our guests.In Deniz Tortum’s lunchbox, we find some Bressoni Kurosawa, some Nolan cinema, an exhibit and an installation from MoMA PS1 and Venice Biennale Lithuania Pavillion, a book on climate crisis, a video game, and one of the symbols of İstanbul.<ul fr-original-style="" style="margin-top: 0px; margin-bottom: 1em; list-style-position: inside; box-sizing: border-box;" type="disc"><li fr-original-style="" style="box-sizing: border-box;">The Devil, Probably (1977, Robert Bresson)</li><li fr-original-style="" style="box-sizing: border-box;">Ian Cheng's exhibition <a fr-original-style="" href="https://www.moma.org/calendar/exhibitions/3656" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">Emissaries</a></li><li fr-original-style="" style="box-sizing: border-box;">Amitav Ghosh's book <a fr-original-style="" href="https://press.uchicago.edu/ucp/books/book/chicago/G/bo22265507.html" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">The Great Derangement: Climate Change and the Unthinkable</a></li><li fr-original-style="" style="box-sizing: border-box;">Tenet (2020, Christopher Nolan)</li><li fr-original-style="" style="box-sizing: border-box;">Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė's installation <a fr-original-style="" href="https://www.e-flux.com/announcements/247899/rugil-barzdiukait-vaiva-grainyt-and-lina-lapelytsun-sea-marina/" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">Sun &amp; Sea (Marina)</a></li><li fr-original-style="" style="box-sizing: border-box;">Pulse (2001, Kiyoshi Kurosawa)</li><li fr-original-style="" style="box-sizing: border-box;">The Boğaziçi Bridge</li><li fr-original-style="" style="box-sizing: border-box;">Unreal Engine 5</li></ul>

Venice Biennale Lithuania ile ilgili hikayeler