<h3 fr-original-style="" name="5ed2" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;"><img src="https://images.aposto.com/2022/9/2/1666697938915.jpeg" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="1.51" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable">©&nbsp;<a data-href="https://www.creativeboom.com/inspiration/london-fire-brigade/" fr-original-style="" href="https://www.creativeboom.com/inspiration/london-fire-brigade/" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">creativeboom.com</a>Londra İtfaiyesi için yeni yazıyüzüGeçtiğimiz bültenlerde dünyada ve ülkemizde vernaküler tipografiye yönelik ilginin arttığından <a fr-original-style="" href="https://aposto.com/s/619631b94468060007bfe4b8" rel="noopener noreferrer" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">bahsetmiştik</a>. Bu konudaki son gelişme ise Londra’dan geldi. Londra İtfaiyesi için eski itfaiye araçlarının yazılarından ilham alan yeni bir yazıyüzü tasarlandı. <a data-href="http://studio-sutherland.co.uk" fr-original-style="" href="http://studio-sutherland.co.uk/" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">Studio Sutherl</a> ile <a data-href="https://www.thefoundrytypes.com" fr-original-style="" href="https://www.thefoundrytypes.com/" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">The Foundry Types</a> işbirliğinde tasarlanan ve Viktorya dönemi itfaiye araçlarının güçlü harflemelerinden ilham alan geometrik, sans-serif yazıyüzü <a data-href="https://www.creativeboom.com/inspiration/london-fire-brigade/" fr-original-style="" href="https://www.creativeboom.com/inspiration/london-fire-brigade/" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">Fire Brigade</a>, üç boyutlu görünüm sunan Düz ve Gölge adlı iki ağırlığa sahip.&nbsp; <hr fr-original-style="" style="height: 0px; overflow: visible; border-bottom-style: none; clear: both; -webkit-user-select: none; break-after: page; box-sizing: border-box;"> <img src="https://images.aposto.com/2022/9/1/1666026522660.png" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="1.89" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable"></h3>©&nbsp;<a fr-original-style="" href="https://kaligrafitipografi.anadolu.edu.tr" rel="noopener noreferrer" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">14. Uluslararası Anadolu Kaligrafi ve Tipografi Etkinliği</a><h3 fr-original-style="" name="5ed2" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;">Uluslararası Anadolu Kaligrafi ve Tipografi Etkinliği, 7–11 Kasım tarihleri arasında düzenleniyor. </h3>Anadolu Üniversitesi Güzel Sanatlar Fakültesi Grafik Sanatlar Bölümünün 2009 yılından beri düzenlediği <a data-href="https://kaligrafitipografi.anadolu.edu.tr/" fr-original-style="" href="https://kaligrafitipografi.anadolu.edu.tr/" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">Uluslararası Anadolu Kaligrafi ve Tipografi Etkinliği</a>’nin on dördüncüsü, 7–11 Kasım 2022 tarihleri arasında düzenlenecek. Etkinliğin bu yılki konukları arasında Mustafa Eren, Odile Khoury, Pelin Öztürk Göçmen, Umut Altıntaş, Yunus Ak, Zeynep Özüm Ak ile üyemiz Murat Ertürk yer alıyor. Etkinlikte 7 Kasım 2022 Pazartesi günü konferanslar, 8–10 Kasım 2022 tarihleri arasında ise çalıştaylar yapılacak. Aynı zamanda etkinlik kapsamında düzenlenen Yunus Emre Sergisi, 7–18 Kasım 2022 tarihleri arasında Çağdaş Sanatlar Müzesi’nde gezilebilecek.

Bu ayın önemli gelişmeleri arasında, Londra İtfaiyesi için tasarlanan yeni yazıyüzü ile 14. Uluslararası Anadolu Kaligrafi ve Tipografi Etkinliği var.

Ekim ayında tipografi dünyasında yaşananlar

<div fr-original-style="" style="box-sizing: border-box;" title="Page 1">Once upon a time—that is, towards the end of the 17th century and with the emergence of modern Children's Literature in the 18th century—Children's Literature was associated with the category of appropriateness for a child. Wikipedia, one of the most frequently referenced sources of the 21st century, defines Children's Literature in a similar way: "Children's literature or juvenile literature includes stories, books, magazines, and poems that are created for children."Piccolo&nbsp;focuses on this approach:&nbsp;It is highly cultural to regard childhood as if it's only essential since it's a phase towards adulthood. Or, perhaps, a child is an extension of an adult. The spectrum of these perceptions is constantly changing and transforming. This magazine focuses on those who do not approach Children's and Young Adult Literature from an ageist perspective and think that the audience should not be limited to a certain age period—it is a genre.</div><h2 fr-original-style="" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;">On a personal note: Why is an editor interested in the genre of Children's and Young Adult Literature?</h2>I was only 9 years old when I first realized that I wanted to be a writer. 16, when I decided to study literature—keeping in mind the positivist culture that glorifies only becoming a lawyer or a doctor in Turkey, let me recognize my privilege: my biggest supporter was my mother. Still, I remember the reaction I got when I first opened up about my writing career to the other adults: “There's no money in that business.”At the time, J.K. Rowling, who is now wildly known for her transphobic comments, was the first person to become a millionaire with a book series. As a matter of fact, this was the only example of the creative industries and our rigid capitalist reality was summing up our society's approach to writing as an income source.&nbsp;A 17-year-old me, who was preparing for university exams, after the events that I intend to explain in a moment, then decided to study Comparative Literature. This time they asked: “Have you finished reading the classics?” Now when I look back, it's as if adulthood automatically came with a desire to dominate—their conditions were never-ending. The tyranny was shamelessly outed.<img src="https://images.aposto.com/2022/6/0/1656844844438.jpeg" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" ratio="1.79" width="550" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable">🧷 Illustration: Quentin Blake<hr fr-original-style="" style="height: 0px; overflow: visible; border-bottom-style: none; clear: both; -webkit-user-select: none; break-after: page; box-sizing: border-box;"><h2 fr-original-style="" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;">Towards Piccolo: Why is Children's and Young Adult Literature essential?</h2>Known for her intersectional feminist approach, bell hooks explains the importance she associates with Children's and Young Adult Literature as follows:<blockquote fr-original-style="color: rgb(9, 9, 9); border-color: rgb(0, 0, 0); border-width: 4px; font-style: italic; padding-left: 10px;" style="color: rgb(9, 9, 9); border-color: rgb(0, 0, 0); border-width: 4px; font-style: italic; padding-left: 10px; margin: 0px 0px 1em; border-left-style: solid; box-sizing: border-box;"><div fr-original-style="" style="box-sizing: border-box;" title="Page 10">Children’s literature is one of the most crucial sites for feminist education for critical consciousness precisely because beliefs and identities are still being formed.</div></blockquote>Similarly, Filipović's Gender Representation in Children's Books: Case of an Early Childhood Setting summarizes that children's books play an important role in the process of social learning and identity development, providing some of the earliest and longest-lasting perceptions of gender, race, and class. According to Masha Rudman, books have a critical impact on the minds of their readers:<blockquote fr-original-style="color: rgb(9, 9, 9); border-color: rgb(0, 0, 0); border-width: 4px; font-style: italic; padding-left: 10px;" style="color: rgb(9, 9, 9); border-color: rgb(0, 0, 0); border-width: 4px; font-style: italic; padding-left: 10px; margin: 0px 0px 1em; border-left-style: solid; box-sizing: border-box;">Books are important influences on their readers’ minds. They can either help or hinder us when we attempt to construct suitable bases for attitudes and behaviors.</blockquote>Santora also helps us imagine a world without hate by introducing the theory of mirrors and windows to literature. According to this, when books act as "mirrors," they contain reflections of children, their lifestyles, families, and society. "Windows," however, provides a glimpse into the diversity of the world children lives in. Hence, individuals can develop comfort and respect towards people, places, and lifestyles they do not know about.Then perhaps, which books our paths have crossed with—especially when we were children—is much more essential.🏰 Let me just some all of it up: The recipe for a wholesome society may lie in increased representation. Especially whilst close reading Children's and Young Adult Literature.

Piccolo

“Books are important influences on their readers’ minds. They can either help or hinder us when we attempt to construct suitable bases for attitudes and behaviors.” —Masha Rudman

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