Şair ve yazar Michael Rosen, 2023 yılının PEN Pinter Ödülü’nün sahibi oldu. Seçilmekten büyük onur duyduğunu ifade eden Rosen, We’re Going On A Bear Hunt gibi çocuk edebiyatı yazınlarıyla tanınıyor.<ul fr-original-style="padding-inline-start: 20px;" style="padding-inline-start: 20px; margin-top: 0px; margin-bottom: 1em; list-style-position: inside; box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">İşlenen konular: Genç okuyucular için göç ve soykırım gibi konuları ele alan yazar, English PEN başkanı Ruth Borthwick tarafından "En dayanıklı ve korkusuz yazarlarımızdan biri" olarak nitelendiriliyor.</li></ul><img src="https://images.aposto.com/2023/6/2/1688477644865.jpeg" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="1.31" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable">Michael Rosen’ın kaleme aldığı&nbsp;On the Move kitabından İllüstrasyon: Quentin Blake<hr fr-original-style="" style="height: 0px; overflow: visible; border-bottom: none; clear: both; user-select: none; break-after: page; box-sizing: border-box;"><ul fr-original-style="padding-inline-start: 20px;" style="padding-inline-start: 20px; margin-top: 0px; margin-bottom: 1em; list-style-position: inside; box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Bir adım ileri:&nbsp;Şu an Goldsmiths Üniversitesi, Çocuk Edebiyatı bölümünde ders veren&nbsp;Rosen, ödülünü 11 Ekim’de Britanya Kütüphanesi’yle beraber düzenlenecek bir törende alacak. Tören esnasında ödülünü paylaşmayı seçtiği uluslararası bir "cesur yazar"ın da kimliğini açıklayacak.&nbsp;</li><li fr-original-style="" style="box-sizing: border-box;">Bir adım geriden: Pinter Ödülü’nün önceki kazananları arasında Malorie Blackman, Linton Kwesi Johnson, Lemn Sissay, Margaret Atwood, Salman Rushdie, Tom Stoppard ve&nbsp;Carol Ann Duffy de bulunuyor.</li></ul>

Aposto Kitap

Ödül, dünyaya korkusuzca bakan ve olağanüstü edebî değere sahip olduğu düşünülen yazarlara veriliyor.

Michael Rosen, PEN Pinter Ödülü’nü kabul etti

<div fr-original-style="" style="box-sizing: border-box;" title="Page 1">Once upon a time—that is, towards the end of the 17th century and with the emergence of modern Children's Literature in the 18th century—Children's Literature was associated with the category of appropriateness for a child. Wikipedia, one of the most frequently referenced sources of the 21st century, defines Children's Literature in a similar way: "Children's literature or juvenile literature includes stories, books, magazines, and poems that are created for children."Piccolo&nbsp;focuses on this approach:&nbsp;It is highly cultural to regard childhood as if it's only essential since it's a phase towards adulthood. Or, perhaps, a child is an extension of an adult. The spectrum of these perceptions is constantly changing and transforming. This magazine focuses on those who do not approach Children's and Young Adult Literature from an ageist perspective and think that the audience should not be limited to a certain age period—it is a genre.</div><h2 fr-original-style="" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;">On a personal note: Why is an editor interested in the genre of Children's and Young Adult Literature?</h2>I was only 9 years old when I first realized that I wanted to be a writer. 16, when I decided to study literature—keeping in mind the positivist culture that glorifies only becoming a lawyer or a doctor in Turkey, let me recognize my privilege: my biggest supporter was my mother. Still, I remember the reaction I got when I first opened up about my writing career to the other adults: “There's no money in that business.”At the time, J.K. Rowling, who is now wildly known for her transphobic comments, was the first person to become a millionaire with a book series. As a matter of fact, this was the only example of the creative industries and our rigid capitalist reality was summing up our society's approach to writing as an income source.&nbsp;A 17-year-old me, who was preparing for university exams, after the events that I intend to explain in a moment, then decided to study Comparative Literature. This time they asked: “Have you finished reading the classics?” Now when I look back, it's as if adulthood automatically came with a desire to dominate—their conditions were never-ending. The tyranny was shamelessly outed.<img src="https://images.aposto.com/2022/6/0/1656844844438.jpeg" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" ratio="1.79" width="550" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable">🧷 Illustration: Quentin Blake<hr fr-original-style="" style="height: 0px; overflow: visible; border-bottom-style: none; clear: both; -webkit-user-select: none; break-after: page; box-sizing: border-box;"><h2 fr-original-style="" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;">Towards Piccolo: Why is Children's and Young Adult Literature essential?</h2>Known for her intersectional feminist approach, bell hooks explains the importance she associates with Children's and Young Adult Literature as follows:<blockquote fr-original-style="color: rgb(9, 9, 9); border-color: rgb(0, 0, 0); border-width: 4px; font-style: italic; padding-left: 10px;" style="color: rgb(9, 9, 9); border-color: rgb(0, 0, 0); border-width: 4px; font-style: italic; padding-left: 10px; margin: 0px 0px 1em; border-left-style: solid; box-sizing: border-box;"><div fr-original-style="" style="box-sizing: border-box;" title="Page 10">Children’s literature is one of the most crucial sites for feminist education for critical consciousness precisely because beliefs and identities are still being formed.</div></blockquote>Similarly, Filipović's Gender Representation in Children's Books: Case of an Early Childhood Setting summarizes that children's books play an important role in the process of social learning and identity development, providing some of the earliest and longest-lasting perceptions of gender, race, and class. According to Masha Rudman, books have a critical impact on the minds of their readers:<blockquote fr-original-style="color: rgb(9, 9, 9); border-color: rgb(0, 0, 0); border-width: 4px; font-style: italic; padding-left: 10px;" style="color: rgb(9, 9, 9); border-color: rgb(0, 0, 0); border-width: 4px; font-style: italic; padding-left: 10px; margin: 0px 0px 1em; border-left-style: solid; box-sizing: border-box;">Books are important influences on their readers’ minds. They can either help or hinder us when we attempt to construct suitable bases for attitudes and behaviors.</blockquote>Santora also helps us imagine a world without hate by introducing the theory of mirrors and windows to literature. According to this, when books act as "mirrors," they contain reflections of children, their lifestyles, families, and society. "Windows," however, provides a glimpse into the diversity of the world children lives in. Hence, individuals can develop comfort and respect towards people, places, and lifestyles they do not know about.Then perhaps, which books our paths have crossed with—especially when we were children—is much more essential.🏰 Let me just some all of it up: The recipe for a wholesome society may lie in increased representation. Especially whilst close reading Children's and Young Adult Literature.

Piccolo

“Books are important influences on their readers’ minds. They can either help or hinder us when we attempt to construct suitable bases for attitudes and behaviors.” —Masha Rudman

The Big Q: Why is Children's and Young Adult Literature essential?

Çocuk ve Genç Yetişkin Edebiyatı’yla yakından ilgilenen Piccolo’nun ilk bölümünün sonuna hoş geldin. 🚀 Bir zaman yolcusu, korsan, peri, büyücü veya deniz insanı olabilirsin, biliyorum. O yüzden seni bir sonraki haftaya ışınlamaktan emin değilim. İnsan zamanıyla bekleyelim, olur mu?💌 Minik bir teşekkür:&nbsp;Piccolo'nun doğumuna inanan, sorularıyla yoluma ışık tutan ve gözündeki parıltıyı saklamayan Sinem Uğurdağ'a; benimle benzer hayalleri paylaşan, Piccolo'nun görsel dünyasının mimarı ve Quentin Blake'im Ece Tugay'a; önerdiği kitaplar, tanıştırdığı insanlar ve Piccolo'ya benim kadar güvenen Cemre Zekiroğlu'na; her Piccolo dediğimde aynı heyecanla benimle birlikte bir şeyler düşünen ve enerjisini ayırmaktan kaçınmayan&nbsp;Atahan Yılmaz'a; heyecanıma ortak olan, editörlüğüme inancıyla etraftaki karanlığı önemsememekte bana ilham olan Tuğçe Özdeniz'e çok teşekkürler. Bazı insanlar insanı simli sticker paketleri gibi mutlu eder.🪶 Haftaya hangi evrendeyiz?:&nbsp;10 Temmuz Pazar günü Çocuk ve Genç Yetişkin Edebiyatı'nda kuir temsiller haritanın yolunu belirliyor.🛝 Piccolo'nun Instagram hesabını <a fr-original-style="" href="https://www.instagram.com/readpiccolo/" rel="noopener noreferrer" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">buradan</a> takip edebilirsin.Maceraya varsan dolabın içinde bekliyorum, Bay Tumnus'un evinde çay partisi var. Belki Beyaz Cadı bizi yakalamadan karı izlerken lokum yeriz.<img data-fr-image-pasted="true" src="https://images.aposto.com/2022/5/1/1655748272666.jpeg" width="550" style="width: 100%; max-width: 550px; vertical-align: middle; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" ratio="1.79" fr-original-style="width: 100%; max-width: 550px;" fr-original-class="fr-draggable">🕯 Bay Tumnus, Narnia'daki evine gidiyor 🧷 İllüstrasyon: Pauline Baynes

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