• A Milli Futbol Takımı'nda hazırlıklar başladı: A Milli Futbol Takımı, 11 Ekim'de Bulgaristan ve 14 Ekim'de Gürcistan ile oynayacağı 2026 FIFA Dünya Kupası Avrupa Elemeleri maçları için Riva'daki TFF Hasan Doğan Milli Takımlar Kamp ve Eğitim Tesisleri'nde hazırlıklara başladı.<ul><li>İdmanda 15 dakikası basına açık olan bölümde, takım ısınma koşuları ve çeşitli pas çalışmaları gerçekleştirdi.</li><li>Hafif sakatlıkları bulunan Berke Özer ve Uğurcan Çakır antrenmanda yer almadı.</li><li>İzinli olan Barış Alper Yılmaz ile Deniz Gül ve Ferdi Kadıoğlu'nun seyahat programları nedeniyle kampa yarın katılacağı bildirildi.</li></ul>

Canlı Gündem

<img src="https://images.aposto.com/2023/11/4/1701960385129.png" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="1.33" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable">Kaynak: Artful Living&nbsp;8. Hayallere açılan pencere: Zihnin Bahçesi<ul fr-original-style="" style="margin-top: 0px; margin-bottom: 1em; list-style-position: inside; box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Nedir? Kişisel sergi.&nbsp;Özer Toraman'ın yeni sergisi Zihnin Bahçesi, izleyiciyi gerçekle hayalin buluştuğu bir dünyaya davet ediyor.</li><li dir="ltr" fr-original-style="" style="box-sizing: border-box;">Nerede? Pi Artworks İstanbul</li><li dir="ltr" fr-original-style="" style="box-sizing: border-box;">Ne zaman? 27 Ocak 2024'e kadar</li><li dir="ltr" fr-original-style="" style="box-sizing: border-box;">Neden gitmeli?&nbsp;Mavinin ve pastel tonların egemen olduğu tabloların sürreal manzaralarında dinginleşmek ve hayallere dalmak için.</li><li fr-original-style="" style="box-sizing: border-box;">Not almalı: Sanatçı, hayali ve figüratif olanı birleştiren eserlerini üretirken, dünyanın farklı ülkelerinde çekilen fotoğraflardan ilham alıyor.&nbsp;</li></ul>

Aposto İstanbul

• Hâkimler ve Savcılar Kurulu (HSK), Yargıtay'da 21 üyenin emekli olması nedeniyle boş bulunan üyelik koltuklarına seçim yapmak üzere toplandı. Kurul, 10 ismi Yargıtay'a üye olarak seçti.&nbsp;<ul fr-original-style="padding-inline-start: 20px;" style="padding-inline-start: 20px; margin-top: 0px; margin-bottom: 1em; list-style-position: inside; box-sizing: border-box;"><li fr-original-style="" style="box-sizing: border-box;">Kimler seçildi? HSK Teftiş Kurulu Başkanı Abdullah Alacahan, Adalet Bakanlığı Yüksek Müşaviri Alpaslan Azapağası, AYM Başraportörü Hamit Yelken, hâkim Döndü Deniz Bilir, Bakırköy Cumhuriyet Başsavcısı Sırrı Topluyıldız, HSK Başmüfettişi Necmi Apaydın, Ali Murat Soylu, Deniz Gül, Nurullah Bodur ile Hâkim Emine Erdoğan, Yargıtay'ın yeni üyeleri oldu.</li></ul>

Aposto Gündem

<h3 fr-original-style="" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;">ID</h3>Your nickname: MattapoisettI have visited “this” exhibition in Istanbul recently: Into the Unknown: Moving Images from the Museum of Modern Art in Warsaw&nbsp;at Salt.I have explored “this” artist in Istanbul recently: Deniz GülI live in: ModaI feel like I am from: Brooklyn<h3 fr-original-style="" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;">SHOOT THE BREEZE</h3>In your Argonotlar writing, your hometown in United States comes up as a place where “there was one only shop in it”. I know that your first city experience was Cairo, but I still wonder how you adapted to the transition from a town in United States to Istanbul “the metropolis”. Can you please talk a little bit about that process?I spent the first twenty years of my life in small-town United States. Reading, literature, was always my way of traveling when I could do nothing to leave the flat, plain, whitewashed existential nausea of my hyper-local upbringing. But most importantly, I had a beloved grandfather who was born in New York City, and he relished me with tales. His first memory went back to 1919. He would spin yarns, half-factual I assumed, about Manhattan in the 1920s, and Brooklyn in the 1930s, I was fascinated. But in my adolescent room, sleeping beside my well-lined bookcase, I was something of an Orientalist, perhaps, stricken with glee over the idea of far-flung territories, exotic people and the experiences I might be able to have in other lands and communities. I wanted go, deeply. &nbsp;I did ask my university’s foreign exchange office if I could go to Mongolia. But without a word of Russian or Chinese, they offered alternatives like Japan, India or Egypt. I chose the latter. &nbsp;From there, I moved to Cairo, and since then I have lived in cities.<img src="https://images.aposto.com/2022/7/5/1660917364912.jpeg" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="0.67" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable">Matt gazing at the clear blue sky of ModaPhoto: Deniz Sabuncu<hr fr-original-style="" style="height: 0px; overflow: visible; border-bottom: none; clear: both; user-select: none; break-after: page; box-sizing: border-box;">You have been working as a freelance journalist &amp; writer who defies the formality and standardization of contemporary art writing. This is manifested in your written pieces you have published, the thematic scope of your writings, and your recent collaborative literature initiatives, Fictive Magazine and Fictive Press.Drawing on the quote from Susan Sontag you included in your Argonatlar&nbsp;<a fr-original-style="" href="https://argonotlar.com/reflections-of-a-foreign-art-writer-in-turkey/" rel="noopener noreferrer" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">piece</a>, I’d like to ask whether your “informal” and “unstandardized” art-writing practice is to be against interpretation and, if so, does Istanbul play any part in this endeavor?Sontag’s famous essay ended with her calling for the art lover to liberate themselves with the force of an erotic compulsion toward works of creativity. In my work I have tried to transcend interpretation in the interest of expressing myself. As a writer, I always attempt to personalize my logocentric craft beyond the formalities or standardizations of institutional protocol. I think that is a raison d’être of being a writer. A writer is a radical form of self-representation. It is individualism with a cause.In art writing I have attempted to parallel the tone and verve of an artwork in writing. Whereas many art writers ground the work in academic or worldly terms, I send it flying into the nebulous realms of my noetic fantasies. In that sense, I am working in the vein of ekphrastic prose, using words like a spelunker exploring my psychological experience of the work, bringing the reader into my emotional and intellectual journey in confrontation with that precious dimension of sheer, human novelty that can only be found in art.

Aposto Istanbul

Meet Matt Hanson, the art-writer who bends the words for ultimate self-expression through art.

Matt Hanson

&nbsp; SPONSORLU&nbsp;&nbsp;ARDIŞIK IV Belkıs Hanım ile Onur Efendi&nbsp;sergisi: SALT’tan Amira Akbıyıkoğlu ile Farah Aksoy tarafından hazırlanan Ardışık&nbsp;programı, sanatçılar Barış Doğrusöz, Deniz Gül, Volkan Aslan, Fatma Belkıs ve Onur Gökmen ile Aykan Safoğlu’nun Ocak 2021’den itibaren SALT Galata’da gerçekleştirilen sergilerinden meydana geliyor. Ardışık programı kapsamında 23 Ocak 2022’ye kadar SALT Galata’da görülebilecek olan Belkıs Hanım ile Onur Efendi&nbsp;sergisi, modernleşme hamlesiyle beliren bir “aydın” kimliği ve onun beraberinde doğan çalkantılı ruh hâllerine odaklanıyor. Fatma Belkıs ve Onur Gökmen ikilisinin ilk uzun metrajlı kurgu filmi Alakadar’dan (2018-süregelen) bir kesitle bir dizi heykelden oluşan çalışma, otoriteyle kurulan sancılı ilişki kadar, sanatsal üretimde başarısızlık kaygısını ele alıyor. Ardışık programını incelemek için <a fr-original-style="" href="https://saltonline.org/tr/2303/ardisik" rel="noopener noreferrer" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; user-select: auto; box-sizing: border-box;" target="_blank">saltonline.org</a> adresini ziyaret edebilirsiniz.

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